| Track Name | Time | ||
| 1 | Seven Seasonal Sketches Op.110: The moon shines bright | 1:42 | |
| 2 | Seven Seasonal Sketches Op.110: On Christmas Night | 1:38 | |
| 3 | Seven Seasonal Sketches Op.110: Come all you worthy gentlemen | 1:27 | |
| 4 | Seven Seasonal Sketches Op 110: O little one sweet | 1:58 | |
| 5 | Seven Seasonal Sketches Op 110: The Holly and the Ivy | 1:43 | |
| 6 | Seven Seasonal Sketches Op 110: In Dulci Jubilo | 2:14 | |
| 7 | Seven Seasonal Sketches Op 110: The Holy Well | 1:02 | |
| 8 | Two Autumn Meditations Op 85: 'Rejoice O Land, in God thy might' | 5:06 | |
| 9 | Two Autumn Meditations Op 85: 'Come all you worthy Christian men' | 3:53 | |
| 10 | Chorale Prelude on 'St.Columba' Op 14 | 1:45 | |
| 11 | Chorale Prelude on 'Rockingham' Op 115 | 3:50 | |
| 12 | Two Sea-Preludes Op.7: 'They that go down to the sea in ships' | 3:31 | |
| 13 | Two Sea-Preludes Op.7: 'The high hills are a refuge' | 2:35 | |
| 14 | Three Christmas Pieces Op 19b: Chorale Prelude on 'Unto us a boy is born' | 2:45 | |
| 15 | Three Christmas Pieces Op 19b: Variations on 'The Coventry Carol' | 3:38 | |
| 16 | Three Christmas Pieces Op 19b: Pastoral Dance on 'On Christmas night' | 3:31 | |
| 17 | A Christmas Tune Op 75 | 2:16 | |
| 18 | Six Easter Meditations: Op.64 'He is not here, but is risen' | 4:01 | |
| 19 | Six Easter Meditations: Op 65 'Joseph laid Jesus in the tomb' | 3:50 | |
| 20 | Six Easter Meditations: Op.71 'Love shall be our token' | 6:05 | |
| 21 | Six Easter Meditations Op 71 'I love my love and my love is no more' | 5:37 | |
| 22 | Six Easter Meditations Op 82 'The Rose-King bleeds at Carbonek' | 8:18 | |
| 23 | Six Easter Meditations Op 82 'For thou, O Lord, art with me still' | 3:32 |
Robin Milford was born in Oxford in 1921. As a nervous and insecure young man he ventured to The Royal College of Music where amongst others his tutor was Vaughan Williams. He studied the organ with Henry Ley and his early works were not disimilar to the style of Stanford and Wood and with his recent marriage to Kirstie Newsom it gave him the emotional stability and happiness that was so much needed.
During the 1930s he had successes in further composition and publication. His friendship with Finzi allowed his development both musically and personally and his works of this period were arrangements of orchestral works, although he also wrote many songs and a first symphony of 1933.
Sadly from 1939 onwards and many organ works were composed although it can be described as a period of descending darkness.
Following the deaths of his two great friends (Finzi and Vaughan Williams), alongside the deletion of many works from the catalogues of his publishers, Milford sadly gave up his life and died on 29 December 1959.
This recording is a fine tribute to his organ works - the first to be dedicated solely to his organ compositions.
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